PRODUCER FELLOW- GABRIEL PRIBYLOVA
My artistic language draws from censored creators, banned poems, and prohibited films, shaped by the repressive atmosphere and collective trauma of my home, Russia. Trauma fuels my creativity and serves as a means of resistance and social commentary in my filmmaking.
Symbolism, metaphor, and allegory guide my work within pervasive censorship, allowing me to humanize my community and Russians globally.
My artistic language draws from censored creators, banned poems, and prohibited films, shaped by the repressive atmosphere and collective trauma of my home, Russia. Trauma fuels my creativity and serves as a means of resistance and social commentary in my filmmaking.
Symbolism, metaphor, and allegory guide my work within pervasive censorship, allowing me to humanize my community and Russians globally.
DIRECTOR FELLOW- KAT DUREL
My dedication to the New Orleans film community has been a cornerstone of my journey. I believe that inclusivity and collaboration are fundamental to creative success, ask me about the time we had two Directors of Photography on a single set!
This fellowship represents a unique opportunity to blend my passion for film with my natural inclination toward teaching, guiding, and mentoring.
My dedication to the New Orleans film community has been a cornerstone of my journey. I believe that inclusivity and collaboration are fundamental to creative success, ask me about the time we had two Directors of Photography on a single set!
This fellowship represents a unique opportunity to blend my passion for film with my natural inclination toward teaching, guiding, and mentoring.
DIRECTOR OF PHOTOGRAPHY FELLOW- QUINN LAPEYROUSE
Quinn Lapeyrouse is a filmmaker, musician, and actor who is passionate about the art of storytelling and its ability to connect people and inspire change. He has been involved in the film and theater industry for ten years and has worked on projects such as Secrets of Sulphur Springs, Haunted Mansion (2023), The Money Game (2024), Carry On (2024), and more! His COOL Cooperative credits include Camera Operator for Gloves Up (2024) directed by Dwight Nelson and Additional Director of Photography for The Rougarou (2024) directed by Marion Forbes.
Quinn Lapeyrouse is a filmmaker, musician, and actor who is passionate about the art of storytelling and its ability to connect people and inspire change. He has been involved in the film and theater industry for ten years and has worked on projects such as Secrets of Sulphur Springs, Haunted Mansion (2023), The Money Game (2024), Carry On (2024), and more! His COOL Cooperative credits include Camera Operator for Gloves Up (2024) directed by Dwight Nelson and Additional Director of Photography for The Rougarou (2024) directed by Marion Forbes.
SOUND FELLOW- JEREMI "JAY" CRUMP
The opportunity to share my accumulated expertise while also receiving mentorship is uniquely exciting. As a xennial I’ve enjoyed quite the journey from Super 8, to modern digital video recording as well as reel-to-reel evolving into the modern audio capture. Everything in between has been a compelling journey from the days of tinkering, reverse engineering concepts through observation to ultimately gaining access to professional learning resources. I appreciate my past because it encouraged me to grasp the underlying principles that would remain unchanged even as the technologies made more things possible; accessible and with greater speed.
The opportunity to share my accumulated expertise while also receiving mentorship is uniquely exciting. As a xennial I’ve enjoyed quite the journey from Super 8, to modern digital video recording as well as reel-to-reel evolving into the modern audio capture. Everything in between has been a compelling journey from the days of tinkering, reverse engineering concepts through observation to ultimately gaining access to professional learning resources. I appreciate my past because it encouraged me to grasp the underlying principles that would remain unchanged even as the technologies made more things possible; accessible and with greater speed.
G&E FELLOW- STIRLING DOWNES
I am extremely interested in furthering my knowledge of documentary work and steady cam usage. While not necessarily related to my focus in Camera, animation has always been a keen interest of mine as well, and I would love to work with it somewhat more.
I am extremely interested in furthering my knowledge of documentary work and steady cam usage. While not necessarily related to my focus in Camera, animation has always been a keen interest of mine as well, and I would love to work with it somewhat more.
POST FELLOW- JARED JACKSON
Over this internship I would like to become faster and gain a stronger knowledge of editing. More specifically I want to learn how to mask things in order to change the color of things, or to tweak flaws in films so that things don't need to be reshot. I also would like to learn about more softwares commonly used in the film industry like Nuke, Premiere Pro, Houdini, Real Engine, and Autodesk Maya. I look forward to exploring the different techniques specific to editing animation vs editing a live action.
Over this internship I would like to become faster and gain a stronger knowledge of editing. More specifically I want to learn how to mask things in order to change the color of things, or to tweak flaws in films so that things don't need to be reshot. I also would like to learn about more softwares commonly used in the film industry like Nuke, Premiere Pro, Houdini, Real Engine, and Autodesk Maya. I look forward to exploring the different techniques specific to editing animation vs editing a live action.